MSW2 v1.0.1 WiN MAC

P2P | 13.07.2018 | 6.61 MB

AAX AU VST VST3

The new MSW2 is a complete overhaul in terms of code, interface & creativity, it can be used both subtly for better mixes, or pushed to the extreme to achieve a host of creative possibilities in the stereo field.

VCL-4 v1.3.0 WiN

TEAM V.R | 12 July 2018 | 3.56 MB

(Win32/64; AAX*, VST3, VST)

VCL-4 is a faithful emulation of the silver face revision of the op-amp-based successor of THE classic late 60s opto leveler. It provides you with unintrusive to extreme program dependent and musical opto compression. The switchable ratio option makes for a flexible solution over a wide range of source material. During the modeling process Fuse Audio Labs rebuilt the entire original circuit on strip board, however replacing the original opto-cells that were made up of an LED and an photoresistor with suitable Vactrols. Every part of the circuit including the receiver stage, the side-chain and Vactrol LED driver circuit, the Vactrol itself as well as the push-pull driver stage and the output transformer has been accurately modeled.

Bucket-500 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 4.45 MB

(Win64; AAX*, VST3, VST)

Bucket-500 is an authentic emulation of a bucket brigade (BBD) based analog delay circuit, added some convenient features in the digital domain including a tilt filter in the feed­back path, a stereo cross-feed option and an optional delay clock LFO to al­low for flanging effects. They also extended the original delay time range to 10..1000ms and included a host tempo sync facil­ity. It’s possible to switch between insert and send mode.

TCS-68 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 6.16 MB

(Win64; AAX*, VST3, VST)

TCS-68, an audio effect that pays homage to one of the most iconic cassette tape based 8-track recorders. The TCS-68 cassette tape channel effect includes a faithful recreation of the preamp, the tape system and the EQ. The original unit comprised a powerful 10-channel mixer that included a simple 3-band EQ, mic and line inputs as well as insert loops for each channel, an 8-track recorder with an advanced noise reduction system and a clearly arranged meter bridge. Given that it used compact cassettes as a recording medium it’s obvious that it was far from high fidelity sounding and thus aimed at semiprofessional users and smaller studios.

F-59 v1.3.0 WiN x64

TEAM V.R | 12 July 2018 | 3.68 MB

(Win64; AAX*, VST3, VST)

Analog Emulation / Guitar Amp and FX Modeling

The F-59 is a recreation of the ’58 – ’60 era classic that set the course for decades of guitar amplification technology. Offering a wide range of tones the plugin tries to stay true to the original vibe while adding some convenient features in the digital domain. The F-59 comprises a faithful emulation of both preamplifier channels, the legendary tone stack network as well as the power amplifier including the revision A presence filter feedback circuit. A cabinet simulation and a linear level control have been added to meet the demands of ITB work flow. The cabinet stage can be bypassed for use with your preferred IR or cabinet emulation suite.

VCL-373 v1.3.0 WiN

TEAM V.R | 12 July 2018 | 3.37 MB

Vintage Comp/Limiter

(Win32/64; AAX*, VST3, VST)

The VCL-373 is a recreation of an early 60s broadcasting limiter/compressor that eventually found its way into many mastering studios. 1963 marks a technological shift in that the famous diode-bridge based gain reduction stage was replaced by a transistor-based circuit that allowed for less THD and more reliable control voltage tracking. The plugin includes a faithful emulation of the audio transformers, the crucial feedback compression circuitry as well as the discrete class A make-up amplifier. Some convenient features including a continuous drive control, gain compensation, GR metering and a dry/wet mix have been added in the digital domain.

SEM-Filter v1.1.0.389 WiN

Team V.R | 07 Jul 2018 | 104.3MB

(Win32/64; AAX, VST3, VST)

Combining simplicity with pure tone-shaping power, SEM-Filter is a futuristic twist on a classic synth filter. Renowned for its pioneering technology in the 70s, we paid tribute not only to its sound but also the SEM’s reputation as a trailblazer. Using the meticulous modelling techniques, and by adding exciting new features, we have created a true modern classic audio filter. No longer confined to a synthesizer, you can now use the era-defining filter tone of Tom Oberheim’s cult synth module on any audio source you wish. Process acoustic instruments in your DAW, shape vocals, perform sweeps on your whole mix, create builds, rises, and drops, even use it to improve a soft-synths stock filter.