Music Theory Comprehensive: Part 6 TUTORiAL

P2P | March 11 2017 | 706 MB

SATB Composition

Mastering 18th Century Counterpoint and SATB Composition with College-Level Music Theory This class is Part 6: SATB Composition, and it starts what would be the second semester of a college music theory class. Throughout this class, I’ll be providing you with many worksheets for you to practice the concepts on. If you get stuck, you can review the videos or post a question, and I’ll back to it as fast as possible. Also in this class I have several complete analysis projects that we will complete together – just like in my college classes.

In this class, we will cover:
– My approach to Music Theory
– Tools of Counterpoint
– Types of Motion in Counterpoint
– 18th Century Counterpoint
– Chordal Dissonance
– Cadences in Bass/Melody Accompaniment
– Cadences in 4-Voice Accompaniment
– Non-Chord Tones in 4-Voice Accompaniment
– Suspensions in 4-Voice Accompaniment
– Example Analysis Projects
– Writing 4-Voice (SATB) Lines
– SATB Notation
– SATB Ranges
– Voice Crossings
– Doubling
– T-D-T Phrasing
– Establishing Tonic Areas
– Establishing Dominant Areas
– Resolving Leading Tones (in 4-Voice Accompaniment)
– Harmonic Rhythm
– Texture (in Song)
– Worksheets and Music for Practice
– …and much, much more!

INFO/DEMO: https://goo.gl/Xp5XUW
Music Theory Comprehensive: Part 6 TUTORiAL
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