Guide To Production Music Libraries

English | 09 September 2023 | Duration: 1h 41m | 1.75 GB

This course is for music producers, beatmakers and composers interested in writing music for production music libraries. An Introduction to the world of production music libraries, track placements, royalty earnings and much more! Creating production music for production music libraries is one of the most sought-after avenues for music creators desiring to get sync placements in film and television, as well as marketing ads, corporate videos, and much more.With the affordability of home studio equipment and production software — the possibility of earning sync and or performance royalties for music creators has become quite an attractive prospect for many producers, composers, beat makers, and musicians alike.New channels and streaming platforms are being introduced all the time, and production music libraries are constantly being sourced to supply the seemingly, never-ending need, to license music for sync to video.Now while the need for production music is undeniable the information around how producers and musicians can get involved with creating music for those libraries is a bit scarce, to say the least. My name is Todd Jones, I have over 18 years of experience in writing and producing music for production music libraries.

I have created this course to help demystify the process and help you get practical tools and information around writing music for production music libraries. This course is designed to give you the knowledge and tools you need, in an intuitive way, so that you can get the most out of the course. No need to scour the internet looking for relevant information we’ve got it all right here! Make an investment in your music career and enroll today!

What you’ll learn:
– How to identify potential music libraries and submit tracks to them for placement
– Equipment needed to produce music for production music libraries
– Understand the different payment models, licensing fees and performance royalty earning opportunities associated with production music
– Mixing & Mastering best practices for producing music for production music libraries
– Common industry terms and definitions
– Understand the need for and the function of performance rights organizations as it relates to royalty payments

Requirements:
No prior experience or skill level is needed prior to taking this course. Our objective is to equip you with a better understanding of production music industry and opportunities for music placements on these platforms, as they are a common path to film & television placements.

Overview
Section 1: Introduction
– Lecture 1 Introduction
– Lecture 2 What is production music?

Section 2: Getting started in the industry
– Lecture 3 What do you need to get started writing music for production music libraries?

Section 3: Assessing your skills
– Lecture 4 Skill Set & Musicianship

Section 4: The Composition
– Lecture 5 Understanding compositions and arrangement commonly used in production music
– Lecture 6 Tips and best practices for composing music for production music libraries

Section 5: Mixing and Mastering for PML
– Lecture 7 Mixing objectives, tips and best practices
– Lecture 8 Mastering overview

Section 6: How to submit tracks to production music libraries
– Lecture 9 How to submit tracks to PML

Section 7: Deliverables
– Lecture 10 What deliverables do production music libraries typically request?

Section 8: Getting Paid
– Lecture 11 Understanding common payment models when writing for PML

Section 9: Bonus Lecture
– Lecture 12 Bonus Lecture

INFO/DEMO/BUY: https://mage.si/TUveR
Guide To Writing For Production Music Libraries TUTORiAL
♪ Download ♪