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There are a lot of powerful EQ plugins out there. So why did we build the plugin version of the MPEQ-1? As hardware, the legendary MPEQ-1 does things that even most digital EQs can’t do. But despite years of requests to bring it into the plugin world, we held off—because we felt that if we were going to do it, it had to bring something truly new to the digital world. The same way the hardware MPEQ-1 was unprecedented in the analog realm, the plugin had to be unprecedented in the digital one. That’s what we’ve achieved with the MPEQ-1 Super-Parametric Saturation Equalizer Plugin. The plugin does everything the hardware does: the variable shape, the exceptionally versatile filters, the wide-range Q control, the unique Vari-Phase mode. We’ve painstakingly recreated everything that made the original iconic. But the plugin goes even further. Each EQ band now has its own dedicated saturation stage—letting you add rich harmonic coloration on a band-by-band basis. Boost your highs into saturation while carving the low mids and leaving the low end clean. Push a snare’s fundamental until it sings while keeping the top end clean. This kind of control is truly unprecedented.
Every plug-in we make, one payment. The analog chain — preamp, EQ, tape — plus MELISMA, which turns a sung or played line into MIDI without losing the slides and ornaments. Four keys in one e-mail.
djay Pro AI allows users to separate vocals and instrumentals in real-time, as well as crossfade between individual components of two songs independently. This allows for impressive remixing capabilities as DJs can easily swap bass lines or melodies of two songs while their keys and beats are automatically matched. The “Neural Mix” feature can isolate beats, instruments, and vocals of any track. Using the M1, djay Pro AI offers Mac users 15 times faster machine learning performance, resulting in ultra-low latency and enhanced precision for live DJ mixes. djay Pro AI contains an extensive library of samples, loops, and audio effects, Neural Mix channel configurations and looping, music production tools, video mixing, integration with streaming services and hardware controllers, and more. It also replaces Neural Mix Pro for Mac with a single app to unify djay across macOS and iOS devices.
When this set was first released (September 2012) it had the distinction with many Nebula users as being the first Nebula compressor that ‘actually works’. Before this release, Nebula had a reputation with many as not being very good for actual compression, and compressor programs were commonly used just for their tone, in combination with VST plug-ins to do the actual gain reduction. I think it’s more than fair to say that this release helped change all that. The hardware has a great reputation for precision, and being somewhat transparent, while still having its own character. It has lots of controls and features (including an extra high frequency control section, which I sampled for use here), which made it very tricky to sample, but that’s part of what drew me to them. It also has amazing specs as far as noise/distortion goes, and who knows, they may one day be considered a modern classic. Some people seem to think of them as such already.
Features expansive presets . Listen to a preview to hear samples from this amazing multi-effects plugin.
‘KING KANO TRAP’ is an All-In-One Sample Pack loaded with 555MB of content, including 77 WAV Loops, 23 MIDI Files, and 42 One-Shots. Tailored for modern Trap music production. This new collection provides producers and musicians with the all essential sounds, tools, and instant inspiration for making hard-hitting and smooth Trap hits.
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